I am an interdisciplinary artist working in analog and low-fidelity formats to explore memory, place, and the disruption of both. I work with pinhole photography, text, phototransfer, book works and installation to represent memories comprised of fiction and nonfiction, nightmares, dreams and wishful thinking. I’m interested in how distortions can contribute to identity and rewrite history — both personal and collective. I’m also interested in absence and gaps — in memory, art, and communication — spaces that invite searching, projection, engagement, misunderstanding, and new versions of the same story. A major focus of my practice is long exposure pinhole photography to create unsettling and fragmented landscapes.
I was born in London, England and spent my childhood on the move with and without my family, from Toronto to the Northwest Territories, to Montreal and back, from the Comox Valley to Vancouver and its suburbs, sometimes living in tents, and for a while, a drive-in movie theatre. Later, as a young lesbian mother, I kept moving, searching for community and security for my family. All of my work in memoir and landscape is grounded in this itinerancy.
Bringing together my interests in labour and in/visibility, I created the artist book Non-Regular: Precarious academic labour at Emily Carr University of Art + Design in collaboration with 26 instructors and artists and published by UNIT/PITT Projects October 2018. Order the book and learn more at nonregular.ca. A related project, Sessional Office, a photo-text installation concerned with the intersection of space and precarious artistic labour, recently exhibited at Mónica Reyes Gallery in Vancouver. This summer (2019), my series Boon: Olympic Village, one year later, will be exhibited as part of the grunt gallery’s Urban Screen.
In 2018 I completed a decade-long BFA in Photography (Art + Text minor) at Emily Carr University of Art + Design, and was awarded the Governor General’s Academic Medal and the Saralee James Memorial Award. In 2017 I was shortlisted for the Lind Prize for Emerging Artists and my photo-text installation Memory Block – consisting of pinhole photographs and community stories about a neighbourhood undergoing gentrification – was exhibited in the Lind Prize group exhibition at Presentation House Gallery.
My short films have screened internationally, and I’ve taught video production at the Gulf Islands Film and Television School, Access to Media Education Society and through the Vancouver Queer Film Festival.
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2018: BFA in Photography, minor in Art + Text, Emily Carr University of Art + Design
2003: Electronic Media Design Program, Langara College
Selected exhibitions / visual art
2019: Dog Days, Polygon Gallery, North Vancouver
2019: Mattering Map Redux & Sessional Office (dual exhibition with Pia Massie), Mónica Reyes Gallery, Vancouver
2018: Vancouver Art Book Fair
2018: The Cultch Gallery, Vancouver
2018: Photobase: Re-imagined Memories, North Vancouver Community Arts Council
2017: Canzine Vancouver
2017: Pride in Art, Queer Arts Festival, Vancouver
2017: The Lind Prize, Presentation House Gallery, North Vancouver
2015: Are you sure?, Campbell River Art Gallery (solo show)
2015: Verstehen, Campbell River Art Gallery
2015: Geometry of Knowing: Part 4, Audain Gallery, Vancouver
2014: Gimme Shelter, Concourse Gallery, Emily Carr University, Vancouver
2012: Specimen, private studio show, Vancouver
2011: What’s Love Got to Do With it?, private studio show, Vancouver
2010: Chinatown: Past, Present, Future, Vancouver Archives, Vancouver
Bozikovic, Alex. “The problem with public-private partnerships: mediocre buildings.” The Globe & Mail. Apr 29, 2018 (web) / May 5, 2018 (print). https://www.theglobeandmail.com/arts/art-and-architecture/article-how-to-design-a-mediocre-building/. Comments and photo credit.
Freeman, Lisa. “Precarious Academic Labour, The Struggle is Real.” Social Justice Centre, Kwantlen Polytechnic University. Oct 25, 2017. https://www.thesocialjusticecentre.org/blog/2017/10/25/precarious-academic-labour-the-struggle-is-real
hannah_g (editor). PaperWait Contemporary Art Writing, vol. 19 (2016-17). p 74. http://www.aceart.org/wp-content/uploads/2018/01/PaperWait-2017-complete.pdf
Harter, John-Henry, New Social Movements, Class, and the Environment, cover, Cambridge Scholars Publishing, Newcastle, UK (2011).
Poirier, Terra. “Colonialism and the Olympic Games” (introduction, sections 1, 2, 3, 4, 7, since edited), Wikipedia (2014).
Poirier, Terra. Non-Regular: Precarious academic labour at Emily Carr University of Art + Design, UNIT PITT Projects, Vancouver (2018).
Poirier, Terra. “What is the Value of Art Education? Why Students Should Fight for Fair Labour at ECU.” Woo, Spring 2018, p 16. woopublication.ca/issuu/.
Prudhomme, Julia. “Exhibition Statement: Suzo Hickey, ’Like the Back of My Hand’ Terra Poirier, ’Are You Sure?’” Campbell River Art Gallery website (August 2015). http://crartgallery.ca/wp-content/uploads/2014/03/SUZO-TERRA-ExStatement-PRINT-copyfor-online.pdf
Sandals, Leah. “Precarity a Major Concern for Canadian Art-School Faculty,” Canadian Art, Sep 26, 2018. https://canadianart.ca/features/precarity-a-major-concern-for-canadian-art-school-faculty/
Simunovic, Roni. “Erasure: The pinhole photography diary project of Terra Poirier,” Geist Magazine, vol. 27, no. 100 (Spring 2016): 50-51. https://www.pressreader.com/canada/geist/20160330/281535110222821
Smith, Janet. “Capture Photography Festival announces shortlist for King Edward Canada Line Station contest,” The Georgia Straight. (Jan 18, 2017). https://www.straight.com/arts/1020896/capture-photography-festival-announces-shortlist-king-edward-canada-line-station
Press coverage of Non-Regular here.
Bibliography / self-published
! (aka Pussy & Balls), flipbook, 2017, edition of 25.
Are you sure? 1971–2007, photo/text book, 2015, unique.
Are you sure? 1973–1993, photo/text book, 2015, unique.
Are you sure? 1973–1981, photo/text book, 2015, unique.
List dependents, illustrated & mixed media pop-up book, 2011, unique.
The Mechanical Reproducer in the Age of the Work of Art, zine, 2013.
Memory Block, Vol 1, photo/text book, 2017, edition of 100.
Awards + grants
2018: Governor General’s Silver Medal for highest academic achievement, undergraduate, ECUAD
2018: Saralee James Memorial Award, ECUAD
2018: Shortlist, Capture Photography Festival Canada Line Competition
2017: Finalist, Phillip B. Lind Award for Emerging Visual Artist
2005: People’s Choice Award for Best Short, Vancouver Queer Film Festival
2004: Gerry Brunet Memorial Award for Best BC Short Film, Vancouver Queer Film Festival
2004: First Place, Digital D.I.Y. Competition, Vancouver Queer Film Festival
2002: Canada Council travel grant: Toronto
2001: Best Overall Film and Best Experimental, National Student Film Festival
2000: Two Canada Council travel grants: Winnipeg & San Francisco
1998: Video In Producer Mini-grant
2016: Artist residency, Obracadobra, Oaxaca, Mexico
2015: Research residency, Art Print Residence, Barcelona
Talks, performance, service
2019: Board member, UNIT/PITT Projects
2019: Panelist, Practice, ECUAD
2018-2019: Multiple talks & presentations for Non-Regular
2018: Guest presenter: Making Zines & Chapbooks, Creative Writing Dept, Anne Stone, Capilano University
2017: Guest presenter: Making Zines & Chapbooks, Gender Relations & Social Issues, Lindsey Freeman, SFU
2017: Panelist: What is precarious academic labour? How does it affect our teaching and learning communities? Emily Carr University.
2017: Guest presenter: Making Zines & Chapbooks, Creative Writing Dept, Anne Stone, Capilano University
2017: Guest presenter on self-publishing & artist books, Writing for Graphic Forms, Sarah Leavitt, UBC
2013: Jury, Coast is Queer Short Film Award, Vancouver Queer Film Festival
2015: Workshop instructor, Phototransfer, Campbell River Art Gallery
2012: Reading at thrilLITERATE, Vancouver
2010: Reading at thrilLITERATE, Vancouver
2010: Reading at Word is Out, Vancouver
2009: Jury, Short Documentary Award, DOXA Documentary Film Festival
2008: Jury, Gerry Brunet Memorial Award, Vancouver Queer Film Festival
2007: Artist talk, “First-person storytelling and DIY filmmaking,” Out on Screen Scholarship Program
2004: Guest presenter, “Women Confronting & Creating Culture,” Women’s Studies, Amber Dean, Capilano College
2002: Mentor, PrideHouse, Access to Media Education Society & Simon Fraser University
2001, 2003, 2007: Mentor, Out On Screen Scholarship Program
2000–2003: Instructor, Gulf Islands Film & Television School
2000: Mentor, Art Smarts, Galiano Island Community School
All titles available through Video Out.
Rated F, 2004, digital video, 8 min, co-directed with Donna Lee
Bear River, 2004, super 8 film, 3.5 min
Spaghetti 8, 2002, super 8 film, 2.5 min, co-directed with Adam Garnet Jones
The Adventures of A.D.D. Girl, 2000, super 8 film, 4 min, co-directed with Lauren Mainland
1-800 Yer Mama, 1998, hi8 video, 4.5 min
Selected exhibitions / film
Vancouver International Film Festival
Vancouver Queer Film Festival
Vancouver Asian Film Festival
Signal & Noise Festival, Vancouver
Video Nomad at Pacific Cinémathèque, Vancouver
Antimatter Experimental Film Festival, Victoria
National Student Film Festival, Regina
First Person Plural Artist Mother Symposium, Winnipeg
Inside Out Queer Film Festival, Toronto
Rendezvous with Madness Film Festival, Toronto
Dawson City Short Film & Video Festival
Herland Film & Video Festival, Calgary
G-inale, Straslund, Germany
Lesben Film Festival, Berlin, Germany
Queersicht, Bern, Switzerland
Visibilia Lesbian Film Festival, Bologna, Italy
Paris Lesbian & Feminist Film Festival
Flying Broom Women’s Film Festival, Ankara, Turkey
Kansai Queer Film Festival, Kyoto, Japan
Boston Lesbian & Gay Film Festival
Chicago Lesbian & Gay Film Festival
Tampa Bay International Gay & Lesbian Film Festival
Honolulu Rainbow Film Festival
Austin Gay & Lesbian Film Festival
Women in the Director’s Chair Film Festival, Chicago
Portland Queer Film & Video Festival
Women of Color Film Festival, San Francisco
Mix NYC New York Queer Experimental Film Festival
DC Underground Film Festival, Bethesda
Visualized Activist Film Festival, Denver